Wisegal

December 9th, 2008

Wisegal is a Lifetime Television crime drama film starring Alyssa Milano and directed by Jerry Ciccoritti. The movie premiered on March 15, 2008.

Plot

The story is narrated by an adult Nino Montanari, who reminisces on his family history…

Brooklyn, New York, ca. 1976: Angie resists abandoning baby daughter Patty on a cathedral doorstep and decides to raise her alone in the streets, surviving by their wits. Years later, a teenaged Patty meets and marries kind policeman Dante Montenari, and the couple have two sons: Joey and Nino.

Dante eventually dies of cancer, and the hospital bills have now left the surviving family without any money. Patty must now make ends meet. She quickly befriends local funeral director Frank Russo, with whom she has a romantic relationship, and Frank’s boss Salvatore “Sal” Palmeri, with whom she has a business relationship.

Frank uses his persistent and persuasive charms to reel Patty into his world of organized crime. He offers her a job, at a floundering Italian restaurant, which she eventually converts into a successful transvestite nightclub. Sal attends opening night and he is impressed with her business savvy and street smarts. He soon assigns her to serve as his mule; she must drive to Toronto and pick-up half-a-million dollars at a shipboard casino. Patty successfully delivers Sal his money, and soon gains his confidence.

Later, Patty and nightclub friend June must make the same trip to Canada together. En route, Patty witnesses June repeatedly snorting cocaine. While Patty is making her usual pick-up, the casino is raided by police, but she manages to slip through their fingers and return to the hotel where June impatiently waits.

Back in Brooklyn, Frank’s son Mouse has been selling cocaine in the neighborhood. And the teenage boy soon shows up at Patty’s doorstep afraid that his father will beat him up again for not ’staying clean.’ Shortly thereafter, a newspaper headline reveals that Mouse has been murdered.

During Mouse’s funeral, Patty watches from a distance as the procession leaves the wake. FBI agent Robert Wilford approaches Patty for help in bringing down Sal’s criminal empire. Robert asks that Patty wear a wire to record incriminating evidence that will facilitate Palmeri’s arrest.

Soon, Patty discovers that June had turned Mouse on to selling her drug, and that Palmeri had placed a hit on him for selling it on the streets. Patty also finds out that Frank asked his boss for permission to, mercifully, kill his own son. June is now fleeing for her life, but Patty intercepts her at her apartment, and finds out that she, June, and Frank are probably the next on Palmeri’s hit list.

Eventually, Patty persuades Palmeri to let her go free and to not kill Frank unless he continues threatening her family. Soon thereafter, Palmeri and his men are either arrested or killed, and June’s dead body is discovered (presumably from a drug overdose).

The Montenari’s and Angie hop on the next train to Florida, leaving their criminal past behind.

The Untouchables

December 9th, 2008

The Untouchables is a 1987 crime drama film based on the 1959 television series, and follows Eliot Ness’s autobiographical account of his efforts to bring gangster Al Capone to justice during the Prohibition era. It was directed by Brian De Palma and adapted by David Mamet, and stars Kevin Costner as Ness, Sean Connery as Irish-American beat cop Jim Malone, and Robert De Niro as Capone.

Connery received the Academy Award for Best Supporting Actor for his role in the film. The Untouchables became a solid hit, grossing over $76 million domestically. A computer game based on the film was released in 1989 on ZX Spectrum, Amstrad CPC, Atari ST, Commodore 64, MSX, Amiga and later on NES, SNES. A prequel, The Untouchables: Capone Rising, is currently in production. Directed by Brian De Palma, the film’s plot details the story of Al Capone’s rise to power.

Plot

Prohibition in the United States has led to an organized crime wave in the 1920s and early 1930s. Various gangs bootleg vast amounts of alcohol and control their businesses with violence and extortion. The problem is most serious in Chicago, where gang leader Al Capone (Robert De Niro) has almost the whole city (even the Mayor of Chicago) under his control, and supplies poor-quality liquor at high prices. Treasury Department agent Eliot Ness (Kevin Costner) is put in charge of leading the crusade against Capone and his empire. Ness’s initial strategy is to conduct raids using a large squad of uniformed officers, but his first attempt fails when one or more corrupt officers tip off Capone’s men about the plan.

Embarrassed over the fiasco and seeking ideas for a change of tactics, Ness has a chance encounter with Jimmy Malone (Sean Connery), an incorruptible Irish beat cop from Scotland who understands the way Capone does business, and decides to ask for his help. Malone urges Ness to become as ruthless as the gangsters he wants to take down: “He pulls a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue. That’s the Chicago way, and that’s how you get Capone.” With corruption running rampant throughout the Chicago police force, Malone suggests that Ness recruit directly from the police academy in order to find team members who have not yet had a chance to come under Capone’s influence. Italian-American trainee George Stone, formerly Giuseppe Petri (Andy García), is enlisted for his superior marksmanship and calm reactions under pressure. Joined by Treasury accountant Oscar Wallace (Charles Martin Smith), detailed to Chicago from Washington, Ness has built an incorruptible team, capable of combating Capone.

Their first raid takes place in a local post office whose storeroom is used to house Capone’s illegal liquor. Malone and most of the police know where the alcohol is, but they leave it alone because no one wants to provoke Capone and his gang. The raid succeeds without incident, though Capone later kills the man who had been in charge of the storeroom with a baseball bat. As the four pick up steam and become noted by the press, Wallace begins to probe the finances of the Capone organization. He believes that a feasible method of prosecution is through a tax evasion charge, if nothing else. At one point, Ness is visited by a Chicago alderman who is also under Capone’s control. The alderman tries to bribe Ness into dropping the investigation, but Ness angrily rejects the offer and throws him out in full view of the team. As he leaves, he mockingly refers to them as “untouchable” and says that Capone, who is known as a cop-killer, can get to anyone he chooses, one way or another.

The alderman’s words prove to be true when Capone’s chief hit man, Frank Nitti (Billy Drago), makes veiled threats toward Ness and his family outside his house, and drives off before Ness can capture him. Realizing that Capone has targeted him, Ness orders his wife and daughter moved to a safer place; Malone and Stone then bring word of a large whiskey shipment coming in from Canada, and the team flies north to set up a raid at the border.

During the raid, Ness’s team and a squad of Royal Canadian Mounted Police officers intercept the shipment, arresting or killing everyone involved. Malone captures one of Capone’s bookkeepers, George (Brad Sullivan), and the team tries to persuade him to provide evidence against Capone. George initially refuses to cooperate, even after Malone assaults him. However, he changes his mind once Malone shoots a thug (who was actually already dead) in the mouth to frighten him. Enraged even further, Capone orders his men to hunt down and kill Ness (even Ness’ family), knowing that with Ness dead, the Untouchables will be finished. Ness’s wife, meanwhile, has just given birth to their second child.

At the police station, where the Untouchables are being congratulated, Wallace prepares to escort George into protective custody. However, they are both shot and killed by Nitti, disguised as the policeman operating the elevator; when the bodies are found, the word “TOUCHABLE” has been written on the wall in their blood. Ness is left with insufficient evidence to press charges, and the frustration drives him into challenging Capone in public to a physical fight in front of his son and several armed henchmen. Malone intervenes and forces Ness to back down, defusing the confrontation.

Malone tells Ness to stall the district attorney from dropping the case while he searches for information regarding Walter Payne, another of Capone’s bookkeepers. A subpoena is issued for Payne, prompting Capone’s men to make plans to get him out of town. After a brutal fistfight with Mike Dorsett, the corrupt police chief who sold out Wallace and George, Malone learns of the intended escape. Returning home and calling Ness to arrange a meeting, Malone is stalked by a knife-wielding thug, but quickly drives him out the back door at gunpoint. The stalker proves to have been bait for an ambush by Nitti, who shoots Malone repeatedly with a tommy gun. He is barely alive when Ness and Stone find him, and he shows Ness which train Payne will be taking before dying in his arms.

Ness and Stone arrive at Union Station and find Payne guarded by several gangsters. After a fierce shootout (an homage to the famous Odessa Steps scene from The Battleship Potemkin), the two succeed in killing all of the other gangsters and taking Payne alive.

Payne testifies in court against Capone, admitting his role in channeling money to Capone over the last three years. Ness, however, notices Capone relaxed and even smiling, despite the probability of serving a long prison sentence, and also sees Nitti carrying a gun in court. He takes Nitti out of the courtroom with the bailiff and discovers that Nitti has permission from the corrupt mayor of Chicago to carry the weapon. Ness then identifies Nitti as Malone’s murderer after finding Malone’s address on a matchbook in Nitti’s pocket.

Panicking, Nitti shoots the bailiff and runs up to the roof, exchanging gunfire with Ness all the way. Eventually, Ness gets Nitti in his sights, but cannot bring himself to shoot the man in cold blood. Nitti gives himself up to Ness, stating that Malone died “screaming like a stuck Irish pig” and that Ness should think about that when he, Nitti, is tried and convicted for the murder but set free anyway. Enraged at the thought that Nitti will escape punishment for his crimes, and provoked to revenge, Ness pushes Nitti off the roof. He shouts to the screaming thug, “Did he sound anything like that?” before Nitti dies on impact with a parked car. The roof sequence was filmed on the roof of the Chicago Cultural Center at Michigan and Washington and the street where Nitti lands is now Garland Court, an upscale enclave in the loop.

Back inside the courthouse, Stone shows Ness a document from Nitti’s jacket that shows bribes paid to the jurors, explaining Capone’s relaxed mood. The judge has no intention of using it as evidence and is fully prepared to let Capone go free, inadvertently revealing his own corruption or fear of the crime boss. In a last ditch effort, Ness talks the judge into doing the right thing, bluffing him into believing that the judge’s name is among those in the bookkeeper’s ledger of payoffs. As a result, the judge decides to switch this jury with the one in another courtroom. Before the trial can continue, Capone’s lawyer changes the plea of “not guilty” to one of “guilty” without Capone’s consent. Capone is sentenced to 11 years in prison. Although it is literally Capone’s own lawyer who puts Capone behind bars, Ness receives all of the credit. Ness taunts Capone, who pretends not to hear as he is taken into custody.

As he packs up his office, Ness contemplates the Saint Jude medallion that Malone had carried with him for many years (linked to his call box key), and which Malone had given to him before dying. Ness gives the medallion to Stone, reasoning that since Jude is the patron saint of police officers, Malone would have wanted him to have it. Out on the street, a reporter wishes to have a word from the man who (helped) put Capone away, but Ness modestly downplays his role in the showdown. When the reporter mentions that Prohibition is due to be repealed and asks what Ness might do then, Ness responds, “I think I’ll have a drink.”

True Romance

December 9th, 2008

True Romance is a 1993 American romantic crime film directed by Tony Scott and written by Quentin Tarantino. It stars Christian Slater and Patricia Arquette with an ensemble cast; the film contains notable performances by some seasoned actors along with early appearances by later stars. It is billed as a “love story“, albeit an unconventional one, as the plot revolves around drugs and violence. Clarence Worley (Slater) and Alabama Whitman (Arquette) attempt to start a new life for themselves using cocaine stolen from Alabama’s former pimp and find themselves on the run from the Mafia, ending in a dramatic double-crossing when the police get involved.

True Romance was a breakthrough of sorts for Tarantino. It was his first screenplay, and he had hoped to direct the movie himself, but ended up selling the script.

Also notable is the film’s score, by Hans Zimmer; its leitmotif is based on a familiar piece by Carl Orff.

Plot

Clarence Worley (Slater) is watching a Sonny Chiba triple feature in a theater on his birthday when Alabama (Arquette) walks in late and sits directly behind him. She proceeds to spill popcorn all over him, then jumps in the seat next to him and asks what she has missed in the movie. They leave playfully joking around, enjoying one another’s company. Alabama invites Clarence for pie. They go to the diner and get to know each other. After taking Alabama to see his place of work, a comic book store, they then go back to Clarence’s place and make love. When Clarence wakes up, he sees Alabama sitting outside. She confesses to him that she is a call girl, set up for him by his boss, and confesses her love for him. Clarence is in love with her as well – and they proceed to get married the next day.

This Quentin Tarantino scripted film uses the theme of ‘boy meets girl.’ Here, though, boy meets girl, boy kills girl’s pimp, couple takes pimp’s coke, and bad boys chase couple. And Elvis is their Guardian Angel…. Written by Tad Dibbern

Training Day

December 9th, 2008

Training Day is a 2001 crime film directed by Antoine Fuqua, starring Denzel Washington and Ethan Hawke. The movie follows two LAPD narcotics detectives over a 24-hour period in the gang neighborhoods of South Los Angeles. The movie was written by David Ayer. Both writer Ayer and director Fuqua grew up in South Los Angeles neighborhoods.

Training Day features appearances by actors Scott Glenn, Tom Berenger, Harris Yulin, Raymond J. Barry, Terry Crews, and Eva Mendes. Musical artists Dr. Dre, Snoop Dogg and Macy Gray were also featured.

Plot

The movie follows a single day in the life of a young LAPD officer named Jake Hoyt (Hawke) as he is subjected to a 24 hour evaluation by Alonzo Harris (Washington), a highly decorated detective within the LAPD narcotics division.

It quickly becomes apparent that Jake’s ‘by the book’ dictum is in stark contrast to Alonzo’s philosophy of blending in with the street. They first detain some college students buying marijuana from a dealer, but instead of arresting them they merely confiscate the drugs.

Jake is put into a compromising position when Alonzo offers him marijuana as a test of his street smarts, putting a gun to his head and threatening to throw him out if he doesn’t smoke it. Unknown to Jake, the marijuana is laced with PCP. Jake relents and smokes, taking three hits from the pipe.

Alonzo then takes Jake to the home of a drug dealer and bookmaker “Roger” (Scott Glenn), with whom Alonzo seems to have a close relationship. As they’re cruising down the street later on, Jake notices a girl (Samantha Esteban) being attacked by two criminals in a side alley. Jake jumps out of the car and saves her, while Alonzo watches. Jake wants to arrest the men and get a statement from the girl, but Alonzo dismisses her and leaves the two men out on the street to face ’street justice’, though not before violently intimidating them. Jake discovers the girl’s pink wallet before he leaves and picks it up, whereupon he realizes that the girl is 14 years old.

During the rest of the day, Alonzo brings Jake further and further into the world of the ’street’ as he harasses a drug dealer named Blue (Snoop Dogg) and learns about another drug dealer named Sandman. He then illegally searches Sandman’s home and steals thousands of dollars in the presence of Sandman’s wife (Macy Gray) and nephew. Sandman’s wife then calls for help when she realizes the money was stolen, the local gang members which appeared to be Crips down the street start to take action, by shooting Alonzo’s car on which he then fires back. He then takes Jake to the Jungles to meet his Salvadoran mistress, Sara (Eva Mendes), and their young son, where he establishes that the gang members in the housing project all fear and respect him. During their entry to the housing project, Jake and Alonzo see a flock of pigeons controlled by a resident, and Alonzo explains to Jake that the residents use the pigeons to warn the community the police are present. Alonzo then meets with three high ranking law enforcement officials (a D.A., an LAPD Captain and a high ranking Detective) — known as the “Three Wise Men” (Tom Berenger, Harris Yulin, Raymond J. Barry) — where it is clear from their conversation that Alonzo has bigger problems than breaking in a new rookie. Alonzo receives permission from the wisemen to “cash in” on an “account.”

Alonzo goes back to Roger’s home with Jake and some fellow narcs, they seize Roger’s money stash hidden underneath the floor of his kitchen, offering a cut to the team (Jake refuses his share). Alonzo then takes Jake’s shotgun and shoots Roger as he sits unarmed and helpless. Jake is horrified by what he had just witnessed and while the crew sets out to manipulate the crime scene, he snaps, resulting in a tense standoff between him and the corrupt officers. But he soon realizes his predicament and surrenders when Alonzo mentions the department’s blood test as his wild card, which would ruin him as it would detect the PCP he had smoked earlier that day.

The backup arrives to clean up, and Jake expresses his disgust at the way Alonzo operates, to which Alonzo replies that it is part of his methodology; he had to cozy up to Roger in order to take him out, which sums up his pragmatic view of “law enforcement”, but Jake believes otherwise.

The pair later arrive at the home of Chicano gangster “Smiley,” (Cliff Curtis) who is playing poker with two other gang members: “Sniper” (Raymond Cruz) and “Moreno” (Noel Gugliemi). After playing a hand, Jake becomes aware that Alonzo has abandoned him to the thugs, and Smiley informs him of Alonzo’s situation; During a weekend break in Las Vegas, Alonzo unknowingly killed a member of the Russian Mafia in a fight and now, the Mafia wants him to pay them $1,000,000 by the end of the day. Jake tries to escape, but the trio quickly overpowers him and drags him into the bathroom to be shot. They ignore his pleas for mercy and search his pockets, finding the pink wallet he had picked up earlier which happens to belong to Smiley’s cousin. Smiley immediately recognizes the wallet and demands to know how Jake acquired it. Jake desperately tells him where he found it. Not believing him, Smiley calls his cousin, who confirms Jake’s story and provides his physical description. In appreciation for Jake’s brave actions, Smiley spares Jake’s life, returns his pistol and allows him to leave.

Jake returns to Sara’s apartment looking for Alonzo. He attempts to arrest him as he tries to make his appointment with the Mafia members, but Alonzo resists. Jake eventually subdues him, after which gang members and local residents begin congregating to watch the conflict. Alonzo tries to get the crowd on his side, but it becomes evident that the neighborhood has had enough of him. They allow Jake to walk away with the money that he intends to turn in as evidence. Detained by one of the gang members, an enraged Alonzo then taunts and challenges the defiant mob, screaming” I’m the police, I run shit here! You just live here!” In turn, they abandon him in disgust.

Alonzo is seen driving when he is ambushed by several vehicles and executed by the very Mafia members he was going to pay.

The final scene has Jake pulling into his driveway and going home to his family, while a radio broadcast reports Alonzo’s death. Ironically, the news report of Alonzo’s death is a facsimile of a line spoken earlier in the movie by Alonzo himself, which was used to persuade Jake to take part in Roger’s murder/robbery: “An LAPD narcotics officer was killed today serving a high-risk warrant, near LAX. An LAPD spokesperson said, officer Alonzo Harris was survived by his wife and four sons.”

The Sting

December 9th, 2008

The Sting is a 1973 caper film set in September 1936 and revolving around a complicated plot by two professional grifters (Paul Newman and Robert Redford) to con a mob boss (Robert Shaw). The story, created by screenwriter David S. Ward, was inspired by some real-life con games perpetrated by the brothers Fred and Charley Gondorff and documented by David Maurer in his book The Big Con: The Story of the Confidence Man. However, in the 1951 Orson Welles radio show, The Third Man, in an episode airing in November titled “Horse Play”, the plot is very much the same, along with many similar details, so the actual genesis of the idea may be in question. The movie was directed by George Roy Hill, who also directed Newman and Redford in the classic Butch Cassidy and the Sundance Kid. The title phrase refers to the moment when a con artist finishes the “play” and takes the mark’s money. (Today the expression is mostly used in the context of law enforcement sting operations.) If the con game is successful, the mark does not realize he has been “taken” (cheated), at least not until the con men are long gone.

The movie is divided into distinct sections with old-fashioned title cards with lettering and illustrations rendered in a style reminiscent of the Saturday Evening Post. The film is noted for its musical score – particularly its main theme melody, “The Entertainer”, a piano rag by Scott Joplin, which was lightly adapted for the movie by Marvin Hamlisch. The film in turn encouraged a surge of popularity and critical acclaim for Joplin’s work.[1]

The film was a major box office success in 1973, taking in more than US$160 million. The film won seven Academy Awards, including Best Picture and Best Director.

A less-successful sequel with different players, The Sting II, appeared in 1983. In the same year a prequel was also planned, exploring the earlier career of Henry Gondorff. Infamous confidence man Soapy Smith was scripted to be Gondorff’s mentor. When the sequel failed, the prequel was scrapped.

A deluxe DVD, The Sting: Special Edition (part of the Universal Legacy Series) was released in September, 2005, including a “making of” featurette and interviews with the cast and crew.

State of Grace

December 9th, 2008

State of Grace (1990) is an American neo-noir crime film released in September 14, 1990. It was directed by Phil Joanou and written by Dennis McIntyre. The film was executive produced by Ned Dowd, Randy Ostrow, and Ron Rotholz and features an original music score by Ennio Morricone.[2]

The motion picture, shot on location in New York City, tells of a small group of Irish-American gangsters operating in the section of New York City, west of Times Square, known as Hell’s Kitchen. When their territory is threatened by gentrification, the boss, Frankie Flannery tries to arrange an alliance with the Italian Mafia, their long-time rivals. The film was inspired by the real mob gang known as “the Westies.”

Plot

Jackie (Gary Oldman) and Frankie Flannery (Ed Harris) welcome Terry Noonan (Sean Penn) back to the neighborhood and into their organization after a long absence. Unbeknownst to the gang, however, during his time away Terry has become a police officer in Boston. He’s been brought back to New York specifically to go undercover in his old neighborhood and bring down the Irish gangsters before they strike a deal with the Italian mafia.

Sin City

December 9th, 2008

Sin City is a 2005 film written, produced and directed by Frank Miller and Robert Rodriguez. It is a noir film based on Miller’s graphic novel series of the same name.

The film is primarily based on three of Miller’s works: The Hard Goodbye focuses on a hulking man who embarks on a brutal rampage in search of his one-time lover’s killer; The Big Fat Kill focuses on a street war held between a group of prostitutes and a series of mercenaries; and That Yellow Bastard focuses on an aging police officer who protects a young woman from a grotesquely disfigured serial killer. The movie stars Bruce Willis, Jessica Alba, Clive Owen, Devon Aoki, Alexis Bledel, Michael Clarke Duncan, Rosario Dawson, Benicio del Toro, Michael Madsen, Powers Boothe, Josh Hartnett, Jaime King, Brittany Murphy, Mickey Rourke, Nick Stahl, Elijah Wood and Rutger Hauer, among others.

Sin City opened to wide critical and commercial success, gathering particular recognition for the film’s unique coloring process, which rendered most of the film in black and white but retained coloring for select objects. The film was screened at the 2005 Cannes Film Festival in-competition and won the Technical Grand Prize for the film’s “visual shaping”.

Search and Destroy

December 9th, 2008

Search and Destroy is a 1995 American film based on a stageplay by Howard Korner. It directed by David Salle. Film stars Dennis Hopper, John Turturro, Christopher Walken, Ethan Hawke, Illeana Douglas, Rosanna Arquette, Robert Knepper and Griffin Dunne. Film also features Martin Scorsese as “The Accountant”. Salle nominated for Grand Special Prize in Deauville Film Festival.

Plot

Middle-aged Martin Mirkhein is a complete failure. He’s run a successful business into debt, his marriage is falling apart, and now he’s owes the IRS $147,956 in back taxes. Martin may not have much going for him but he has read “Daniel Strong,” a best-selling, self-help novel by the popular TV guru Dr Waxling. Now he wants to turn the novel into a major motion picture. To do that, Martin needs the rights and the revenue. Given his grating personality and terrible track record, it won’t be easy to get a hold of either. He sets out to meet with Dr. Waxling but ends up sleeping with Waxling’s screenwriter-assistant Marie, instead. Determined to make a movie, Martin and Marie move to New York. There, they get involved with wealthy Kim Ulander, an enigmatic businessman with quirky tendencies and a repressed desire to live dangerously. If they aren’t careful, this daring duo may not come out of this deal alive.

Scam

December 9th, 2008

Scam is a 1993 film adaptation of crime drama novel by Craig Smith named Ladystinger.

Plot

Maggie Rohrer (Lorraine Bracco) is a seductive con-artist scamming the rich in Miami Beach. When she picks the wrong mark, Jack Shanks (Christopher Walken), he blackmails her into working with him on the ultimate scam in Jamaica. He wants to use her talents in a much-bigger scam: ripping off a crime lord by getting at his programmer’s computer files. But she starts to have doubts about what he’s really after when she finds a huge stash of loot with the disks. He claims no knowledge of the money, she distrusts him, he’s using her, things start getting dangerous and even murderous – and then her boyfriend shows up. When the scam turns deadly, murder and double-cross become the only way to finish their dangerous game.

Sarkar

December 9th, 2008

Sarkar is a 2005 Indian dramatic thriller film about politics and crime, directed by Ram Gopal Varma, starring Amitabh Bachchan in the title role. The film also stars Abhishek Bachchan, Kay Kay Menon, Katrina Kaif, Anupam Kher, Supriya Pathak and Tanisha Mukherjee. There have been speculations in the media[who?] that the movie is loosely based on the family of Balasaheb Thackeray, the leader of the Mumbai-based political party, Shiv Sena[citation needed].

Its sequel, Sarkar Raj was released on June 6, 2008.

Plot

Subhash Nagre (Amitabh Bachchan), who is known by his followers as Sarkar, lives in Mumbai. The opening scenes show a rape victim’s father (Veerendra Saxena) approaching Sarkar for justice (which the corrupt law and order system has failed to deliver) which Sarkar promptly establishes by having the rapist beaten up by his henchmen. His son, Vishnu (Kay Kay Menon), plays a foul-mouthed producer who is more interested in the film actress Sapna (Nisha Kothari) than his wife Amrita (Rukhsar). Sarkar’s other, more upright son, Shankar (Abhishek Bachchan), returns from the United States with his love Pooja (Katrina Kaif) after completing his education there. Pooja’s doubts about Sarkar’s image cause Shankar, who firmly believes in his father’s righteousness, to break up with her later in the movie.

One day, a Dubai-based don, Rasheed (Zakir Hussain) tries to strike a deal with Sarkar; he promptly refuses on moral grounds and also forbids him from doing it himself. Rasheed tries to eliminate Sarkar’s supremacy with the help of Silver Mani (Srinivasa Rao Kota), Sarkar’s former associate and Swami Virendra (Jeeva). Meanwhile, they trap Sarkar by assassinating a righteous, upright, Ahimsa political leader and an outspoken critic of Sarkar, Motilal Khurana (Anupam Kher). Everyone, including Vishnu believe that Sarkar is guilty but Shankar has deep faith in his father. Sarkar gets arrested. Shankar now takes over the position of Sarkar temporarily. On learning of a plot to murder his father in prison, he approaches the police commissioner (Anant Jog) who mocks him and his father besides not providing protection. By the time he reaches the prison and appropriate action is taken, the attempt on Sarkar’s life is already made. Sarkar is later acquitted. He remains bedridden as Shankar takes on Sarkar’s enemies. Meanwhile, Silver Mani, Swami and Rasheed try to convince Vishnu to murder Sarkar. Vishnu was previously thrown out of Sarkar’s house because he had murdered the actor who was having an affair with Sapna. Vishnu returns home pretending to have repented. When he approaches Sarkar in the dark of the night with the intent of murdering him, Shankar foils his plan and later kills him (establishing justice by the way of his father). Shankar eliminates Rasheed and Silver Mani. He also succeeds in making Swami his puppet. Shankar has also realized that Chief Minister Madan Rathore (Deepak Shirke) also has a part in the attempt to end Sarkar and his rule. This results in legal action against the Chief Minister. The closing scenes show people approaching Shankar for justice and his father apparently retired.